In her latest solo exhibition, Mahalakshmi Kannappan delves into the intricate relationship between memory and materiality, presenting a series of works that explore the nuances of human experience through the mediums of charcoal and wood. The exhibition, held at Srishti Art Gallery in Hyderabad, showcases Kannappan’s unique approach to art-making, where she blurs the lines between painting and sculpture.
Kannappan’s works are characterized by their tactile surfaces and deep textures, inviting viewers to engage with the pieces on a sensory level. The use of charcoal, a medium often associated with impermanence, alongside the solidity of wood, creates a dialogue between fragility and endurance. This juxtaposition reflects the artist’s exploration of how memories, though intangible, leave lasting impressions on our consciousness.
The exhibition features several standout pieces, including “Aligned Imperfections IV,” where the artist employs black lime plaster on wood to create a textured surface that evokes the passage of time and the accumulation of experiences. Another notable work, “Contours of Change V,” combines black lime plaster and grout on wood, symbolizing the evolving nature of personal and collective histories.
Through these works, Kannappan invites viewers to reflect on their own memories and the materials that shape their perceptions of the past. Her art challenges traditional notions of medium and form, pushing the boundaries of contemporary art practice.
The exhibition at Srishti Art Gallery provides a platform for Kannappan to engage with the art community in Hyderabad, offering a space for dialogue and reflection on the themes of memory and materiality. Her innovative use of materials and thoughtful exploration of complex themes make this exhibition a significant contribution to the contemporary art scene.
